Audio

We speak with the musicians behind the unforgettable soundtrack to Metal Gear Solid 2: Sons of Liberty, a game that resh...

Deathloop pulls from an onslaught of inspirations to create something unique, capturing the aesthetics of a violent, ecc...

"I had to start making sounds behave unnaturally for very specific design reasons, but everything started like I was sho...

The 2nd instalment of a 6-part series. Composer Winifred Phillips shares content from her GDC 2021 talk, "From Spyder to...

Lead composer Tom Salta shares how Deathloop 's musical backing captured its unique vibe by finding inspiration in the i...

Prospective judges have until September 29, 2021 to apply for admission into the 24th annual Independent Games Festival ...

Game developers have until October 5, 2021 to submit for GDC Summits, Game Career Seminar, and GDC Masterclass.

Adaptive music topics explored during Kent Carter's recent video podcast interview of Guy Jones are vertical/horizontal ...

Translating a game as complex as Divinity: Original Sin 2: Definitive Edition to iOS was no small task. Here's how Laria...

For Polygon Treehouse, holistic storytelling is about leveraging the full range of story tools they have at their finger...

Panic designer Neven Mrgan breaks down Playdate's ambitious browser-based dev tool, 'Pulp,' in glorious detail.

"Both [ Mini Metro and Mini Motorways] are based on seemingly-simple systems that are complex in unintuitive ways, so th...

1st installment of a 6-pt series: Composer Winifred Phillips shares content from her GDC2021 lecture, "From Spyder to Sa...

My game’s (Lilith Odyssey) soundtrack is an in-game radio with original songs, ads and DJ segments, inspired by the radi...

Game Dev Digest Issue #105 - Double Stuffed. The latest from the free weekly Unity3d/gamedev newsletter.