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Level Design Lesson 9: Perspective Variance

Today's lesson builds on lesson 4 about perspectives. It talks about studying the differences between perspectives over time.

Raymond Benefield, Blogger

September 10, 2010

3 Min Read

[This was originally posted on my personal blog www.reachingperfection.com]

[Forge Lessons is a level design series that I have written for the halo forge (the simplistic in-game level editor) communities. While it is tailored towards Halo multiplayer map design I feel that it covers general level design very well. I would love everyone's opinions on how these lessons can translate into other games and genres like the Call of Duty series, the Unreal Series, RTS games, platformer games, etc.]

Well I have taught you the concept of drawing attention to important parts of your map by using Eye Catching techniques. And before I teach you these various techniques I must first introduce you to the concept of Perspective Variance. What good are eye catching techniques if a player only sees them for a split second in time? In order to draw attention to something you must give the player the chance and time to notice it.

Perspectives over time

The concept of a Perspective is just a single moment in time. One play through of a map consists of millions of perspectives. While taking the time to study single important perspectives it is important to study them in batches or groups as well. To simplify this concept imagine watching a replay of a game and taking a single screenshot of the player’s perspective every second or half-second. The idea behind perspective variance is observing the changes between perspectives that occur one after the other. The player’s perspective is always changing and this must always be taken into account. Just because you use eye catching in one perspective doesn’t mean that it will catch the player’s attention in that instance in time. Your eye catching techniques must exist in multiple perspectives over time in order to give the player a chance to notice what you have laid out before them.

Repetition is key

Once again… anything you want your player to notice has to exist from one perspective to another in order to have more effect. A simplified real life example is when you are trying to read subtitles or captions for a movie but they do not stay on screen long enough for you to read. What’s the point of those subtitles or captions if you never get their full meaning? The same case is true here. If that light in the corner is only visible by the player for a split second then it will most likely never catch his eye. Remember that the player is always alert and always moving and looking around and constantly changing his perspective. All of the things around him are fighting for his attention and he is observing everything that he notices. Humans always over look things when they have a goal like capturing the flag ahead of them. How are you going to show them that the rocket launcher in the corner is going to help them if it just barely passes them by as they turn the corner?

Tying it to movement

So while eye catching is an extremely important aspect when thinking about perspective variance, it is not the only factor. Path Manipulation is also very important in that moving a player around changes the player’s perspective. Consider how perspectives vary from each other when a player is traveling in a straight line. Things that are close will eventually disappear from the perspective while things farther away stay for longer. What about when a player is rounding a corner? The things that are on the side of the perspective that the player is turning away from will disappear sooner than those on the side that the player is turning towards. The sharper the turn is the faster objects disappear from a player’s perspective. Meaning sharp turns result in a massive amount of variance between perspectives. Is this good or bad? Well that is up to you as a designer.

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