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Assassin's Creed III developer Alex Hutchinson recently accused games journalists of exhibiting a 'subtle racism' in favour of Japanese games. This is a really dumb thing to say. It's also doing a disservice to an entire swathe of great storytelling.

Tom Battey, Blogger

August 20, 2012

6 Min Read

People say dumb things all the time. On the whole I approve of this. If no one ever said dumb things, then the world would be pretty damn boring. Sometimes, though, people say dumb things that aren't OK. Sometimes, these dumb things smack of ignorance, or border on being offensive. These things I am not OK with.

Recently, Assassin's Creed III developer Alex Hutchinson claimed that the games industry exhibits a 'subtle racism' in favour of Japanese games, specifically in regards to theme and story. Hello there. That's a rather sweeping statement, is it not? Some might say poorly thought out; others might say straight up offensive. As the understandably taken-aback interviewer put itseriously?

Let's dissect.  


First thing; the question that this statement was a response to; namely, how come people seem to be OK with Nintendo continuously iterating on a single theme, but seem to get annoyed when other games (like, say, Assassin's Creed) release yearly iterations without moving the formula on.

The simple answer is that not everyone is OK with Nintendo endlessly re-releasing the same games. There have been many people arguing that Nintendo need to mix things up a bit for years now.

The slightly more complex answer, but still worth raising, is that while Nintendo do seem to be allergic to new ideas, they know how to put a game together. However derivative many of their titles are, they are usually impeccably designed, and as such it becomes difficult to argue against them. We may be getting a bit tired of the Mario formula, but it's damn hard to picture how that formula could be objectively improved (something Nintendo clearly struggle with on a near-constant basis).

The same can't be said of Assassin's Creed. The Assassins Creed games have some noticeable areas that could be improved upon, but the development team have been content to coast on the same engine for three games now. That's not to say that these games aren't good; they are, but it does legitimise the sense of weariness people feel with the formula.

A single example: that climbing engine? Doesn't always work right. Quite possibly they've fixed it for the new game, but if so then Mr. Hutchinson should have said so in the interview, rather than accusing people who don't think the Assassin's Creed engine is beyond improvement of being racist.

However, Hutchinson chose to ignore any issue of mechanics, and made the argument instead one about story. Ignoring the fact that basically zero people play Nintendo games for their writing, it became a debate about theme and writing quality.

A personal note, with regards to the story in Assassin's Creed (he's the one that made it about story...) I maintain that Assassin's Creed was the game that Ubisoft didn't quite have the balls to release as a pure period adventure. So you've got these well written, well researched period stories, with likeable characters and historically correct settings, shackled to this clunking, dreary sci-fi/supernatural Dan-Brown-meets-Minority-Report thing that I'm increasingly convinced the writing team have no clue what to do with. Hardly a paragon of videogame writing.


After claiming that games journalism is inherently racist, Hutchinson went on to say: 'Then Gears of War comes out and apparently it's the worst written narrative in a game ever. I'll take Gears of War over Bayonetta any time.'

Oh dear. Firstly, I'd like to say I totally disagree with the 'Gears Of War has the worst story ever' argument. Gears Of War actually has a pretty good story; it establishes exactly why you need to be shooting all these dudes and then largely stays out of the way while you shoot them. There's just enough intrigue (where did the Locust come from? (spoiler: you never find out)) to keep the pacing up, but on the whole it's unobtrusive, which is exactly what you want from such a straightforward shooting game.

So I agree with Hutchinson on this point. However. He then goes on to slam Bayonetta, a game on my shortlist for Best Game Of All Time. Well.

Firstly: yes, Bayonetta's story is stupid. But being stupid doesn't mean it's bad. Bayonetta is a stupid game, and it's also brilliant. Like the story in Gears Of War, the story in Bayonetta suits the style of the game. It's a game that ends with (spoiler) the player punching God into the freakin' sun; with a finale like that, the story can do whatever the hell it likes and still be out-ridiculous-ed by what you actually do in the game.

It could just be that Hutchinson lacks a sense of humour, or more accurately an appreciation of the ridiculous; his comment -  'It's patronising to say, 'oh those Japanese stories, they don't really mean what they're doing'' - would suggest so.

But I don't think that's actually true. I just think he's culturally biased. He's American, with a clear preference for American stories, that comes from a lack of exposure to media from other cultures.

He calls Japanese stories 'literally gibberish', and goes on to cite Bayonetta as an example. The storyline in Bayonetta is not gibberish. It's crazy, yes, surreal and silly, but if you pay attention, there is actually a logic to it. Just not a logic Mr. Hutchinson apparently understands.

It's a logic that is a lot more familiar to fans of anime and other Japanese games. There are themes in Bayonetta that are prevalent in a lot of Japanese stories. These themes don't necessarily translate well to the 'Western' form of storytelling. To claim that this makes them 'gibberish' is...well, that's racist, isn't it?

It raises interesting questions about the purpose of storytelling. Hutchinson dismisses a silly story that he can't fully understand as 'gibberish', and therefore 'bad writing.' The inference is that 'good writing' must therefore be a) serious and b) completely understandable (and preferably American).

This a load of donkeyplop. It does a disservice to interpretive and surrealist writing by claiming that if you don't understand every aspect of a story, it's a bad story. Comprehension is not the ultimate goal of storytelling. Stories can be enjoyable without making complete binary sense. Many stories are more engaging for their impenetrability.

So we circle gently back around to the conclusion that Mr. Hutchinson's comment is dumb. It's uninformed and it's ignorant. It's also predjudiced.

I don't think Mr. Hutchinson is actually racist. I just think he's a little bitter at people not lapping up three near-identical Assassin's Creed games when Nintendo apparently get away with the same all the time, and used this opportunity to voice, in a really obnoxious way, that he doesn't like Japanese writing.

That's fine. He's completely entitled to dislike Japanese writing, just like I'm entitled to be horrible about the crap Desmond bits in Assassin's Creed. What's not fine is claiming that anyone who doesn't share his dislike for this style of writing is racist. That's just...

...well, it's just really dumb.

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