THERE WAS ONLY ONE INTERVIEW, TIME FOR SOME SOCIAL ANALYSIS Sidney Fussell writes broadly about online sexism, the role of men in communities and development, and how trolling solves approximately nothing in his "The Trouble With We Men." Sarah Nixon writes about how difficult it is to be a woman voicing dissent in the online gaming community. Samantha Allen writes the flip side of the previous argument: what are the struggles of the omniscient 18-year-old boy? Maddy Myers goes all-in on the recent games that have meditated on what it is like to be a dad in "Bad Dads vs. Hyper Mode." Todd Harper analyzes Persona 4 and how "gay characters" are represented in that game. Chris Sawula writes about FTL: Faster Than Light and the dark decision processes around space slavery. Jason Hawreliak writes on what he calls "middle-state publishing" and how it might be the place where the most interesting critical interventions are happening in video games. ANIMAL CROSSING/EARTHBOUND: I COULD NOT THINK OF A GOOD HEADER Alex Dale cannot stop playing New Leaf and seems a little distressed about it. Drew Mackie explains about why he deleted his Animal Crossing save. Shigesato Itoi, designer of Earthbound, wrote a bit about what it means to him--"it is not dead and it's not even human" ranks up there on the list of poignant things you can say about a game you made. Simon Parkin wrote a retrospective on Earthbound. Spoiler: is good. SOME HISTORY. WE ALL LOVE HISTORY. I'M TELLING YOU TO LOVE HISTORY. Jed Lepinski recounted the creation and legacy of The Oregon Trail. Angela Cox writes on "The Othering of Time Age of Empires II." Cornelius Holtorf explains the playful desire of reality-altering efforts of time travel in contemporary culture. MISC. Paul Tassi asks "How Do You Solve a Problem Like Nintendo?" This is a wonderful redesign of the entirety of The Last of Us that asks the question "what if we played as Ellie?" Mike Rose uses the new SimCity to model yet another instance of horrible traffic. Jason Johnson connects Shin Megami Tensei 4 to Bolano's The Savage Detectives. Thanks for reading. Be sure to submit your link recommendations by Twitter or email, and we'll see you soon.
Statik: Would you say your games reflect your personal views or are they tailored to act as a commentary for other people to engage with their own views? Perhaps both? Paolo: It’s great to see more and more game makers coming out and saying, “This is what I think and feel; this is how I see the world, and I decided to express it in a game form,” but I’m also interested in works that can contribute to the public debate beyond self-expression. I want to see games and simulations being used to make sense of the world around us; I want to see them next to text or moving images – and not in an ancillary role. I want to see more journalism, more philosophy, more history education, more experimental geography, conceived natively for interactive media.
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This Week in Video Game Criticism: From nostalgia to jiggle physics
This week, our partnership with game criticism site Critical Distance brings us picks from Cameron Kunzelman on topics including the "death" of Final Fantasy and solving problems the Nintendo way.