Mike Krahulik makes a poignant remark in his statement – if he was Just Some Guy, we'd largely be ignoring his statements. But that's just the point, not only of this specific discussion, but of anti-bigotry movements in general – people with power need to be careful not to misuse it against the powerless, especially those made powerless by people and institutions that the empowered affects or is affected by – otherwise it becomes an intersecting web of oppression that it's enormously difficult to get out from.
If Activision had any courage, Modern Warfare 4 would be about Syrian rebels fighting and dying while waiting for empty promises of Western aid. That's modern warfare. The Arab Spring and various uprisings in the Middle East - some secular democratic, some Islamist, and many a mixture - are as much a part of the modern story of the War on Terror as Special Forces raids and drones. Where are those stories? Games love to invent narratives like Modern Warfare 2 and Homefront where America spontaneously becomes the underdog, but they're loath to take on conflicts that are actually being fought against overwhelming tyranny.
[Desert Strike] didn't say "Saddam" and "Iraq" and "Kuwait" because they wanted to make it acceptable or marketable or whatever, but it was very obvious what they were talking about. The thing that struck me immediately and made me realize this wasn't a game for children was that there was no soundtrack. It was very clear to me: This is not made for children, this is a thinly veiled training game for the American military. I was repulsed by it and I played it out of compulsion — this video was made out of my experience — but it was very, very disturbing and very surreal. I just felt reality collapse into my head and I was in the grid.
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